In t^]/his episo\di^c ::dramatic $(]comedy Franc::_ella; play)*s a whopping 16 different charac[ters w +hic`h, “wil^ _l (\con#f ro ?:nt ;
conf:=licts ))+reflecting% .the invisib^-le press`[ur$-e! u?nder# which we live in a moder^n-d ay meg]alopo(lis,” ? ]said Cohn and: D@%upr, at. “The film presen@!=;ts a pan?-orama of our ‘national being’ =@in a scat!-hing and %#(\sarc\)]asti)!.c .*but a`#t the same tim?(e reflexiv_*e tone. Ar]gentina is a c+$ount`#ry o_f immigrants, w,%`.h;ose character is a sum of di._ffe^rent orig:ins! an,-
;d nationali?ties: ^Millions of ;[Europe`#!ans c$%%ame and m;ixed with Nat]ive A:%rgen=ti;n=]!ia,\\ns^, creating ! a powerful and singular idiosyncrasy,” they a:,dded.